JUMP BACK IN!
mini-workshop for students from 2011 and 2012
Friday, September 13
at the Boulder Circus Center, Boulder, CO - USA
** To enroll in this mini-workshop, you need to have taken Sublime Stupidity I in 2011 or 2012 **
To REGISTER, please contact LaLaTheater@gmail.com
or call (303) 746-2669
- Schedule: Friday 4pm - 8pm
- Studio Location: Boulder Circus Center (BCC), 4747 26th Street, Boulder, CO 80301
- Ages: 16 and Older
- Class Size: Max. 10 / Min. 6
- Clothing: Clothes you can move in - not too baggy
- Color of clothes: Black preferred, or gray
- WORKSHOP COST: $ 80 / $ 70 (Early Bird Discount)
- EARLY BIRD: Deposit must be received by AUGUST 23rd
- Deposit: $50 (non-refundable and required to enroll in the workshop)
This workshop will be taught in English, with lots of French and Italian whenever needed... or Spanish, that can happen too...
JUMP BACK IN: In this mini-workshop, we check back in with your clown! Has the form shifted? Aged? Gotten younger? Flipped on its head? Changed radically?... We spend a minimal amount of time getting into the space and then we get to work, listening with fresh eyes and ears and creative impulses to what is presenting now. This puts you in the position to be able to play from the truest and most urgent clown form for you right now, for the Sublime Stupidity II workshop. We do not go extensively into this new/same/shifted form - instead, we find and define it, and we will then use the Sublime Stupidity II workshop to explore, deepen, and energize your current clown state.
ELIZABETH BARON is an award-winning teacher, director, actor and collaborative theater-maker. She leads mask, voice, acting, red nose, and movement workshops and classes throughout the US and Internationally. She is part of the teaching team at GIOVANNI FUSETTI's international school of theater creation – HÈLIKOS: Scuola Internazionale di Creazione Teatrale, in Florence, Italy. Elizabeth holds an MFA in Lecoq Based Actor-Created Physical Theater, from Naropa University/London International School of the Performing Arts (LISPA.)
She is known for her compassionate, humor-filled teaching style, and her deep love of and belief in the power of the Red Nose to unlock our hidden, delightful selves. Liz sees this work as an invaluable tool for the artist, connecting us to an endless source of creativity and poetry, and providing a treasure trove of insight and inspiration. All while being very stupid.
